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Review

Kew Queer Nature Event 2023 Auntie Maureen inside Temperate House

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New Scientist recommends RE/SISTERS: A lens on gender and ecology

The books, TV, games and more that New Scientist staff have enjoyed this week

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Life on the edge by Amit Eshel, Israel Winner, Animals in their Environment Amit Eshel witnesses a dramatic cliffside clash between two Nubian ibex. After hiking to a vantage point on the clifftop, Amit slowly crept closer, using a wide-angle lens to set the action of two clashing Nubian ibex against the dramatic backdrop. The battle lasted for about 15 minutes before one male surrendered, and the pair parted without serious injury. In the run-up to the mating season, part of the males? coat darkens, and their neck muscles thicken. Rivals will raise up on their hind legs and ram their heads together. Their horns sometimes break as they collide. Location: Zin Desert, Israel Technical details: Canon EOS R5 + 24?70mm f2.8 lens at 45mm; 1/800 at f8; ISO 500

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New Scientist recommends Wildlife Photographer of the Year and Opticks

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The Beast review: Is AI the beast in a powerful tale about emotions?

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Episode 7. Antonia Thomas in "Still Up," premiering 22 September 2023 on Apple TV+.

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Still Up review: Insomnia rom com is worth staying up for

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Screenshot from Starfield Starfield - GravJump

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Starfield review: Too much AI-generated content makes for a dull game

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Mallard at the National Railway Museum, York.

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New Scientist recommends The Man Who Couldn’t Stop and The Retrievals

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Painkiller. (L to R) John Ales as Dr. Gregory Fitzgibbons, West Duchovny as Shannon Shaeffer in episode 102 of Painkiller. Cr. Keri Anderson/Netflix ?? 2023

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Painkiller review: Netflix drops the ball in retelling OxyContin story

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The best science fiction movies about dinosaurs, by a palaeontologist

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King Coal review: Moving documentary shows bequest of a dying industry

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Cillian Murphy is J. Robert Oppenheimer in OPPENHEIMER, written, produced, and directed by Christopher Nolan.

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How Oppenheimer addresses the paranoia around nuclear power

Oliver Stone's documentary Nuclear Now marks a big moment for nuclear technology, but it is Christopher Nolan's film that creates a perspective for us to understand the origin of our fears, says Simon Ings

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Meg 2: The Trench review: Light on science, heavy on fun

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The Other Pandemic review: Can smart reframing fight conspiracies?

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Oppenheimer review: Great film goes to the heart of atomic warfare

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Technology

Kagami review: Mixed-reality gig brings dead headliner back to life

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