
IT STARTED innocently enough, with a friend telling me about the Peregrine Nest Cam at the University of California, Berkeley. High in the campus clock tower, under a webcam’s watchful eye, some biology researchers had arranged a box of gravel for two peregrine falcons and their three floofy, awkward babies. I couldn’t stop watching. I’ve spent weeks following along as the chicks shed their down, fought for chunks of meat and screamed at the top of their lungs. Now, they are almost ready to fly and I feel a deep sense of accomplishment.
But why? I didn’t help these birds grow up, though I cheered for them remotely. Yet they are part of my life now. I have the falcon cam streaming to my desktop all the time, and I’m listening to two of the siblings squawk at each other as I write this. I can’t figure out what makes it so compelling. So I asked Emily Anthes, author of The Great Indoors, who spent years studying the science of indoor life. She told me that our brains respond to images of nature as if we were actually outdoors, so perhaps the falcons are giving me vicarious enjoyment of the open skies.
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https://www.youtube.com/watch?v=k_ghtsndkf4
Another possibility is that the falcon cam falls within a genre of online videos known as “oddly satisfying”. 91ɫƬers on Reddit came up with the phrase to describe short videos of everything from gears meshing and robot arms sorting batteries, to people painting in exact strokes on a fence or pressing dough into tidy circles. You can find millions of videos with the hashtag #oddlysatisfying on social media, and Google reports that various subtypes of the genre have shot up in popularity during quarantine.
An early video compilation in this genre, called simply “The Most Satisfying Video in the World”, has garnered more than 19 million views on YouTube since 2016 – which is pretty impressive for a compilation video that features taffy stretching and marbles rolling down a chute. Its creators define “oddly satisfying” as “something that makes your skin tingle and for some unknown reason provides you with a sense of unbridled peace and happiness”.
https://www.youtube.com/watch?v=IjeKw0B8PG8
Certainly that is the emotional state the falcons evoke, and not merely because they are cute. What the falcon cam shares with, say, a video of gears meshing is a sense of orderly progress.
The falcon cam is a way of experiencing the passage of time as a series of achievements: the samey days of quarantine blur into each other, but at least one thing is changing for the better. Those baby falcons are growing beautiful plumage, and by the time you read this they will be soaring in the hot California afternoons. #Oddlysatisfying videos give us the pleasure of task completion. That’s why it is so fun to watch fast-motion clips of people building or cooking something from start to finish.
Media researcher Stefan Werning writes that #oddlysatisfying videos arouse two seemingly opposed emotions: vigilance and amazement. Vigilance, Werning explains, creates a strong sense of interest or anticipation, while amazement gives us an intense distraction or surprise. This might explain why the falcon cam and other #oddlysatisfying videos are so popular during quarantine.
Doomscrolling through the news is making us hyper-vigilant, so we may be drawn to entertainment that incorporates that sensation of vigilance while also deflecting it with amazement. Put simply, escapism works best when it acknowledges the feelings we are trying to escape.
When time has slowed to a terrifying crawl, we want to see simple representations of change: birds growing up, gears meshing, automated threshers harvesting. We want to remember what it is like to go outside and accomplish mundane things. And so we keep clicking, hoping the next video will be more satisfying than the last.
Annalee’s week
What I’m reading
John Marzluff’s Welcome to Subirdia, an ornithologist’s exploration of wild birds that live among humans just outside large cities.
What I’m watching
Upload. It is the cleverest depiction of virtual reality that I’ve seen outside of Black Mirror.
What I’m working on
A story about a fictional planet without plate tectonics.
- This column appears monthly. Up next week: James Wong